This book is a free and open resource for composition instructors and students, full of essays that could supplement OER rhetoric and writing texts that lack readings. All of the essays in this reader are versatile rhetorically and thematically. It is arranged alphabetically by author name. Each essay has a series of hashtags that apply to the essay in some way. You can search for essays thematically for topics like education, the environment, politics, or health. You can also search for essays based on composition concepts like analysis, synthesis, and research. You can search for essays that are based on shared values, essays that rely heavily on ethos, logos, or pathos, essays that are very kairos-dependent, and essays that are scholarly.

This resources is also available here: https://human.libretexts.org/Bookshelves/Literature_and_Literacy/Book%3A_88_Open_Essays_-_A_Reader_for_Students_of_Composition_and_Rhetoric_(Wangler_and_Ulrich)

This writer’s reference condenses and covers everything a beginning writing student needs to successfully compose college-level work, including the basics of composition, grammar, and research. It is broken down into easy-to-tackle sections, while not overloading students with more information than they need. Great for any beginning writing students or as reference for advanced students!

Available here as a PDF for printing: https://asccc-oeri.org/wp-content/uploads/2020/06/Advanced-Community-College-ESL-Composition-An-Integrated-Skills-Approach.pdf

This text is a transformation of Successful College Composition an OER text originally published in 2015 and intended for use in a course that is one level below English composition.

I. The Writing Process
II. Sentence Structure
III. Literary Analysis
IV. Critical Thinking and Reading

In Antiracist Writing Assessment Ecologies, Asao B. Inoue theorizes classroom writing assessment as a complex system that is "more than" its interconnected elements. To explain how and why antiracist work in the writing classroom is vital to literacy learning, Inoue incorporates ideas about the white racial habitus that informs dominant discourses in the academy and other contexts. Inoue helps teachers understand the unintended racism that often occurs when teachers do not have explicit antiracist agendas in their assessments. Drawing on his own teaching and classroom inquiry, Inoue offers a heuristic for developing and critiquing writing assessment ecologies that explores seven elements of any writing assessment ecology: power, parts, purposes, people, processes, products, and places.

A writing practicum associated with 11.200 and 11.205 that focuses on helping students present their ideas in cogent, persuasive arguments and other analytical frameworks. Reading and writing assignments and other exercises stress the connections between clear thinking, critical reading, and effective writing.

This textbook is meant for first year English Composition Courses. The text covers the essentials of composition and rhetoric in a recursive manner and introduces research skills.

When you are eager to get started on the coursework in your major that will prepare you for your career, getting excited about an introductory college writing course can be difficult. However, regardless of your field of study, honing your writing skills—and your reading and critical-thinking skills—gives you a more solid academic foundation.

In college, academic expectations change from what you may have experienced in high school. The quantity of work you are expected to do is increased. When instructors expect you to read pages upon pages or study hours and hours for one particular course, managing your work load can be challenging.

The quality of the work you do also changes. It is not enough to understand course material and summarize it on an exam. You will also be expected to seriously engage with new ideas by reflecting on them, analyzing them, critiquing them, making connections, drawing conclusions, or finding new ways of thinking about a given subject. Educationally, you are moving into deeper waters. A good introductory writing course will help you swim.

This Composition Reader is an edited, curated collection of OER material for you to use as you see fit in your course.  It consists of personal essays, literature, video and audio files, web writing, and long-form journalism.

This book is divided into two parts. Part I is a Composition Handbook designed to teach students the components of the writing process and the conventions of various forms of school and college writing assignments. Part II is an Anthology of Literature designed to help students read actively, analyze, understand, enjoy, and appreciate stories, poems, and plays by a diverse and inclusive group of exceptional writers.

TABLE OF CONTENT

I. The Writing Process
1. Access and Acquire Knowledge
2. Find Your Thesis
3. Make a Plan
4. Write Your First Draft
5. Revise and Edit
6. Cite Your Sources

II. Common Writing Assignments
7. The Narrative Essay
8. The Examples Essay
9. The Extended Definition Essay
10. The Process (“How to”) Essay
11. The Cause/Effect Essay
12. The Compare/Contrast Essay
13. The Argument Essay
14. Further Reading

III. Poetry
15. “I Wandered Lonely as a Cloud” by William Wordsworth (Regular Verse)
16. “Birches” by Robert Frost (Blank Verse)
17. “The Negro Speaks of Rivers” by Langston Hughes (Free Verse)
18. “How Do I Love Thee?” by Elizabeth Barrett Browning (Sonnet)
19. “The Cremation of Sam McGee” by Robert Service (Ballad)
20. “Ode to a Nightingale” by John Keats (Ode)
21. “My Last Duchess” by Robert Browning (Dramatic Monologue)
22. “One Art” by Elizabeth Bishop (Villanelle)
23. “To an Athlete Dying Young” by A.E. Housman (Elegy)
24. “Eastern Guard Tower” by Etheridge Knight (Haiku)
25. An Anthology of Poems for Further Study

IV. Short Stories
26. Nathaniel Hawthorne (1804–1864)
27. Edgar Allan Poe (1809–1849)
28. Kate Chopin (1850–1904)
29. Charles G.D. Roberts (1860–1943)
30. E. Pauline Johnson (Tekahionwake) (1861–1913)
31. O. Henry (1862–1910)
32. Edith Wharton (1862–1937)
33. Hector Hugh Munro (Saki) (1870–1916)
34. Stephen Crane (1871–1900)
35. Willa Cather (1873–1947)
36. James Joyce (1882–1941)
37. D. H. Lawrence (1885-1930)
38. Ring Lardner (1885–1933)
39. Katherine Mansfield (1888–1923)
40. William Faulkner (1897–1962)
41. Ernest Hemingway (1899–1961)
42. Eudora Alice Welty (1909–2001)
43. Roald Dahl (1916–1990)
44. Flannery O’Connor (1925–1964)
45. Fay Weldon (1931–)
46. Beryl Bainbridge (1932–2010)
47. William Dempsey Valgardson (1939–)
48. Alice Walker (1944–)
49. Leslie Marmon Silko (1948–)
50. Andrea Levy (1956–2019)

V. The Novella
51. Turn of the Screw by Henry James (1843-1916)
52. The Awakening by Kate Chopin (1850–1904)

VI. The Novel
53. The Great Gatsby by F. Scott Fitzgerald (1896–1940)

VII. Drama
54. Twelfth Night: Act 1
55. Twelfth Night: Act 2
56. Twelfth Night: Act 3
57. Twelfth Night: Act 4
58. Twelfth Night: Act 5
59. Twelfth Night: Study Guide
60. Hamlet: Act 1
61. Hamlet: Act 2
62. Hamlet: Act 3
63. Hamlet: Act 4
64. Hamlet: Act 5
65. Hamlet: Study Guide
66. The Importance of Being Earnest by Oscar Wilde (1854-1900)
67. The Importance of Being Earnest: Study Guide
68. Major Barbara by Bernard Shaw (1856-1950)
69. Major Barbara: Study Guide

Appendix A: Glossary of English Rhetoric, Grammar, and Usage
Appendix B: Glossary of Literary Terms
Appendix C: Writing an Analysis of a Poem, Story, or Play
Appendix D: Brave New World Casebook
Appendix E: The Turn of the Screw Casebook
Appendix F: Exercises and Tutorials on Grammar and MLA/APA Documentation
About the Authors
List of Links by Chapter for Print Users

This is a collection of cumulative units of study for conventional errors common in student writing. It's flexible, functional, and zeroes in problems typically seen in writing of all types, from the eternal "there/they're/their" struggle to correct colon use. Units are organized from most simple to most challenging.

ENGL 1010: English Composition I. Introduces students to the critical thinking, reading, writing, and rhetorical skills required in the college/university and beyond, including citation and documentation, writing as a process, audience awareness; and writing effective essays.
The course utilizes a scaffolding approach as well as cross-curricular resources and assignments to focus the course around a central theme: Socio-Political Themes in Pop Culture. All resources are OER, including the integration of textbooks: Waymaker: Introduction to College Composition by Lumen and Media, Society, Culture, and You by Mark Poepsel. As well, assorted media sources are utilized, including video (documentaries, interviews, lectures, films), photography, and social media apps.

EmpoWord is a reader and rhetoric that champions the possibilities of student writing. The textbook uses actual student writing to exemplify effective writing strategies, celebrating dedicated college writing students to encourage and instruct their successors: the students in your class. Through both creative and traditional activities, readers are encouraged to explore a variety of rhetorical situations to become more critical agents of reading, writing, speaking, and listening in all facets of their lives. Straightforward and readable instruction sections introduce key vocabulary, concepts, and strategies. Three culminating assignments (Descriptive Personal Narrative; Text-Wrestling Analysis; Persuasive Research Essay) give students a chance to show their learning while also practicing rhetorical awareness techniques for future writing situations.

Table of Contents
Part One: Description, Narration, and Reflection

Chapter One: Describing a Scene or Experience
Chapter Two: Telling a Story
Chapter Three: Reflecting on an Experience
Assignment: Descriptive Personal Narrative
Part Two: Text Wrestling

Chapter Four: Interpretation, Analysis, and Close Reading
Chapter Five: Summary and Reader-Response
Chapter Six: Analysis and Synthesis
Assignment: Text wrestling Analysis
Part Three: Research and Argumentation

Chapter Seven: Argumentation
Chapter Eight: Research Concepts
Chapter Nine: Interacting with Sources
Assignment: Persuasive Research Essay

This course will focus on essay writing, including such issues as development using specific support, coherence (making sure everything supports a thesis) organizational skills and correct grammatical form. It is an overview of the writing process – how you get from an idea to a complete, thorough essay. It will also include a detailed look at researched writing: how to find sources, cite sources and incorporate sources into text.

Table of Contents:
I. Course Information Documents
II. Communicating and Submitting Course Work
III. 1. Getting Started
IV. 2. Writing the Essay
V. 3. Narrative Writing
VI. 4. Process Writing
VII. 5. Compare/Contrast
VIII. 6. Classification
IX. 7. Argument/Research
X. 8. Review of In-Class Writing

Welcome to English 101! This text is designed to reinforce reading, writing, and thinking skills that you already have been practicing as well as to introduce you to new strategies, giving you opportunities to reinforce and strengthen your skills.

Table of Contents:

CHAPTER 1: INTRODUCTION TO COLLEGE
College Writing
Becoming a College Student
What’s College For?
Find Your Passion

CHAPTER 2: LEARNING TO LEARN
Introduction to Success Skills
World View and Self-Efficacy
Choose Your Attitude
College Success Basics
Habits for Success
Time Management
Avoiding Procrastination

CHAPTER 3: READING WELL
Reading Comprehension Definition
Working with Texts
Writing about Texts
Writing a Formal Summary
Analyzing a Text

CHAPTER 4: UNDERSTANDING RHETORIC AND ARGUMENT
Understanding Rhetorical Analysis
Rhetorical Concepts and Vocabulary
Rhetorical Analysis in the Real World
Audience and Purpose

CHAPTER 5: THE WRITING PROCESS
Understanding the Assignment
Getting Started
Outlining
Refining the Thesis and Organizing the Essay
Constructing the Thesis and Argument—From the Ground Up
Drafting
Getting Feedback
Revising
Reverse Outlining
Editing
Proofreading

CHAPTER 6: EFFECTIVE PARAGRAPHS AND ESSAYS
Tone, Voice, and Point of View
Paragraphs
Transitions
Organization and Development
Introductions and Conclusions
Countering Opposing Arguments

CHAPTER 7: RESEARCH STRATEGIES
The Research Process
Information Literacy
Types of Sources
Research Strategies
Summary vs. Paraphrase
Paraphrasing
Avoiding Plagiarism
Plagiarism: What It Is and How to Avoid It

CHAPTER 8: USING MLA STYLE
Document Formatting in MLA Style
In-Text Citations
Citing Sources in Your Paper
The Works Cited Page

CHAPTER 9: SENTENCE SKILLS
Sentence Variety and Complexity
Coordination and Subordination
Strategies for English Language Learners

This OER textbook has been designed for students to learn the foundational concepts for English 100 (first-year college composition). The content aligns to learning outcomes across all campuses in the University of Hawai'i system. It was designed, written, and edited during a three day book sprint in May, 2019.

Table of Contents
Chapter 1. College Success Skills
Chapter 2. The Writing Process
Chapter 3. Essay Structure
Chapter 4. Types of Essays
Chapter 5. Research Skills

Table of Contents:
I. Faculty Resources
II. Module 1: The Words We Use, The Worlds We Describe
III. Module 2: The Words We Are, The Stories We Tell
IV. Module 3: The Ways We Explain, The Examples We Choose
V. Module 5: The Words We Wield to Work for Peace – Argumentation Part I
VI. Module 6: Citation—How We Establish Credibility for the Evidence We Provide - Argumentation Part II
VII. Module 7: Compare and Contrast- How We Discuss Multiple Subjects at Once

This course promotes clear and effective communication by sharpening critical thinking and writing skills. The first unit is designed to change the way in which students think about writing--as a conversation rather than a solitary act. The second unit focuses on academic writing and explores the PWR-Writing or Power-Writing Method (PWR Pre-Write, Write, Revise). The remaining units will focus on the minutiae of good writing practices, from style to citation methodology. Upon successful completion of this course, the student will be able to: Demonstrate mastery of principles of grammar, usage, mechanics, and sentence structure. Identify the thesis in another individual's essay. Develop a thesis statement, structure it in an introductory paragraph, and support it with the body of the essay. Organize ideas logically within an essay, deploying adequate transitional devices to ensure coherence, flow, and focus. Differentiate between rhetorical strategies and write with an awareness of rhetorical technique and audience. Differentiate between tones and write with an awareness of how tone affects the audience's experience. Demonstrate critical and analytical thinking for reading and writing purposes. Quote, paraphrase, and document the work of others. Write sentences that vary in length and structure. (English 001)

This collection of readings that emerged out of partnerships between OER enthusiasts, composition instructors at the University of Wisconsin–Madison, and contributors who shared ideas and resources on a Twitter thread about open composition.

The English 100 (Introduction to College Composition) program hopes to pilot a version of this OER course reader with a subset of course sections in 2019.

This guide is currently in the open creation stage, meaning that it is in-progress, but openly licensed. In other words, this is a resource in flux: we will be adding to and reorganizing these materials over the course of the coming months.

Users of Expressions and Inquiry will note that it has three major sections—Section One which primarily focuses on the nuts and bolts of writing, otherwise known as Rhetoric and Composition, important to get writers started with the process of writing and also considering what their point or claim is. This section shares ideas about expressing ideas and is primarily derived from the Wiki Book on Rhetoric and Composition. Section Two continues to discuss academic writing including research and other inquiry methods as well as analysis and blends more of the previously cited Wiki Book and Shane Abram’s EmpoWord: A Student Centered Anthology and Handbook for College Writers. It also includes some examples from students at Lansing Community College and more discussion about thinking deeply about writing and techniques. Finally, Section Three Narrative and Description, is primarily based on Shane Abram’s EmpoWord. We circled back to the techniques of description and narration because we believe these techniques are needed to engage readers and develop voice in all writing. We hope all of this will help students in the Composition courses we teach and beyond.

Foundational Practices of Online Writing Instruction, edited by Beth L. Hewett and Kevin Eric DePew, with associate editors Elif Guler and Robbin Zeff Warner, addresses the questions and decisions that administrators and instructors most need to consider when developing online writing programs and courses. Written by experts in the field (members of the Conference on College Composition and Communication Committee for Effective Practices in OWI and other experts and stakeholders), the contributors to this collection explain the foundations of the recently published (2013) A Position Statement of Principles and Examples Effective Practices for OWI and provide illustrative practical applications. To that end, in every chapter, the authors address issues of inclusive and accessible writing instruction (based upon physical and mental disability, linguistic ability, and socioeconomic challenges) in technology enhanced settings.

f you are not familiar with Frameworks for Academic Writing, it is quite different from any other textbook or writing system. First, it is designed for a wide range of writing abilities, from beginning to expert academic writers. ESL, ADL, LD, ADHD, and other writers who are simply unfamiliar with academic writing patterns benefit from sentence-by-sentence templates, prompts, tutorials, and examples. More confident writers may simply use the checklists provided. We have successfully applied the system to all academic writers, from 3rd-graders to dissertation writers.

Secondly, the book is designed for a wide range of teaching abilities. It is particularly useful for a beginning writing teacher, though it simplifies the writing process for anyone who wants to implement writing into a curriculum in a controlled and methodical way. Many teachers of other disciplines and curricula find it useful as well.

TABLE OF CONTENTS:
Persuasive Writing
Business and Professional Writing
Critical Analysis
Personal Writing