Funded by the University System of Georgia’s “Affordable Learning Georgia” initiative, An Introduction to African and Afro-Diasporic Peoples and Influences in British Literature and Culture before the Industrial Revolution corrects, expands, and celebrates the presence of the African Diaspora in the study of British Literature, undoing some of the anti-Black history of British studies.

This course provides an overview of Asian American history and its relevance for contemporary issues. It covers the first wave of Asian immigration in the 19th century, the rise of anti-Asian movements, the experiences of Asian Americans during WWII, the emergence of the Asian American movement in the 1960s, and the new wave of post–1965 Asian immigration. The class examines the role these experiences played in the formation of Asian American ethnicity. The course addresses key societal issues such as racial stereotyping, media racism, affirmative action, the glass ceiling, the "model minority" syndrome, and anti-Asian harassment or violence. The course is taught in English.

Studies important twentieth-century texts from Spain and Latin America that represent the principal fictional genres--poetry, theatre, short story, and the novel. Includes works by Bombal, Lorca, Neruda, Vallejo, Machado, and GarcĚ_a MĚÁrquez. Taught in Spanish. Subject offered Spring 2003 and Fall 2004.

Introduction to Drama combines the literary arts of storytelling and poetry with the world of live performance. As a form of ritual as well as entertainment, drama has served to unite communities and challenge social norms, to vitalize and disturb its audiences. In order to understand this rich art form more fully, we will study and discuss a sampling of plays that exemplify different kinds of dramatic structure; class members will also participate in, attend, and review dramatic performances.

This rubric was developed by BCcampus. This work is licensed under a Creative Commons Attribution 3.0 Unported license.This is a review of Introduction to Fiction: https://louis.oercommons.org/authoring/157-intro-to-fiction-oer-course completed by Ginger Jones , Professor of English LSU AlexandriaThe rubric allows reviewers to evaluate OER textbooks using a consistent set of criteria. Reviewers are encouraged to remix this rubric and add their review content within this tool. If you remix this rubric for an evaluation, please add the title to the evaluated content and link to it from your review.

Introduces prose narrative, both short stories and the novel. Examines the construction of narrative and the analysis of literary response. This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

This is a review of Introduction to Literary Studieshttps://legacy.saylor.org/engl101/Intro/ An introductory survey of the history and practice of English literary and cultural expression, exploring the major genres of poetry, the novel, drama, and the critical essay.Completed  by Joyce Cottonham, Southern University in Shreveport, LA  

This subject examines the ways in which we read. It introduces some of the different strategies of reading, comprehending and engaging with literary texts developed in the twentieth century, paying special attention to post-structuralist theories and their legacy. (What poststructuralism means will be discussed often in this course, so don't worry if you don't know what it means right now!) The course is organized around specific theoretical paradigms. In general, we will: (1) work through selected readings in order to see how they determine or define the task of literary interpretation; (2) locate the limits of each particular approach; and (3) trace the emergence of subsequent theoretical paradigms as responses to the achievements and limitations of what came before. The literary texts and films accompanying the theoretical material will serve as concrete cases that allow us to see theory in action. For the most part, each week will pair a text or film with a particular interpretative approach, using the former to explore the latter. Rather than attempting a definitive or full analysis of the literary or film work, we will exploit it (unashamedly -- and indeed sometimes reductively) to understand better the theoretical reading it accompanies.

This course is designed to introduce students to the study, analysis, and interpretation of literature across multiple genres. Key topics include literary genres and conventions; how to read and write about literature; literary analysis; and readings and responses in the genres of poetry, drama, fiction, and creative nonfiction. Primary literary works and critical responses are included, as well as a collection of writing assignments aligned with course content and learning outcomes.

This class explores ways that writers portray human experience in their short stories, poems and plays. Through class discussions, lectures and creative responses, students will gain a deeper understanding and appreciation of literary works.‰Ű In this course, students develop and express their own analytic responses to a variety of works of literature, paying special attention to the ways that literary works are crafted and also to the ways that readers‰ŰŞ understanding of literature is subject to your personal perspectives and various theoretical frameworks.Login: guest_oclPassword: ocl

This course is designed as a basic introduction to poetry and/or drama. All resources are in the public domain, or they may be accessed through student/faculty searching sites like poetryfoundation.org. The linked resources are also public domain.

This syllabus is for ENGL 2996: Introduction to Women's Literature at Fletcher Technical Community College. The course covers women's literature in a historical context and includes extensive media sources.

The texts contained in this anthology each perform a particular purpose and represent an aspect of the rich cultures that populate our world. By attending to the cultural significance of literary texts from around the world and connecting them via a unifying theme, we can begin to identify cultural similarities that make the world a more dynamic and interesting place to live. This anthology seeks to show the unity of world literature through a form of radical familiarity, while at the same time preserving and admiring the different cultures from which the literature was produced.

Table of Contents:

Medea, Euripides
Lysistrata, Aristophanes
Bhagavad Gita
The Thousand and One Nights
From The Poem of the Cid
From The Divine Comedy Inferno, Dante Alighieri
Sir Gawain and the Green Knight
The Heptameron, Marguerite de Navarre
Gargantua and Pantagruel, François Rabelais
From Don Quixote de la Manacha, Miguel de Cervantes Saavedra
The Tempest, William Shakespeare

This is a review of MIT Introduction to Fiction, Fall 2003 course: https://louis.oercommons.org/courses/21l-003-introduction-to-fiction-fall-2003 completed by Ginger Jones, Professor of English LSU AlexandriaThis rubric was developed by BCcampus. This work is licensed under a Creative Commons Attribution 3.0 Unported license.The rubric allows reviewers to evaluate OER textbooks using a consistent set of criteria. Reviewers are encouraged to remix this rubric and add their review content within this tool. If you remix this rubric for an evaluation, please add the title to the evaluated content and link to it from your review.

This is a class designed to get to the heart of fiction by starting with the simplest of myths, moving into short stories, and finally finishing with a novel.

We'll look at the beginning origins of the tale and see how it slowly grew from being something largely contained in plot devices to being something more attuned to character studies before finally showing you how bonkers some fiction can be.

Many elements of our world will be played with and looked at through different view points in an attempt to stir something in the student. As Kafka said, "A book must be an axe for the frozen sea within us."

We'll look at how the short story isn't so much different or a new thing, but is often the one most overlooked. People celebrate poems and Shakespearean plays, and the greatest novels of the time, as they should...but too often we overlook the brilliance of the short story, yet...for many of us, it is the preferred style to enjoy. And in many ways, it is just a poem in prose form, and as Poe said, it was intended to create a trance-like state, "an exaltation of the soul which cannot be long sustained."

Great epics, plays, poetry, and other literary texts have made their way around the world through time and translation, and are still captivating audiences today. This multimedia resource invites viewers to appreciate and - most importantly - read these ancient and modern works. The 13 texts are introduced on video by a wide-ranging cast including scholars, translators, artists, and writers. Excerpts of the texts are found on an extensive Web site along with background material and reading support; an interactive timeline and a feature on translation; and resources for teaching and further study.

In this course, the student will examine James Joyce's aesthetic and artistic sensibilities through close readings of his major works, placing special emphasis on Ulysses. First, the student will take a look at the life and times of James Joyce to understand his context. Then, the student will then progress through his works chronologically. By the end of this course, you will not only have read and thought critically about a number of his most celebrated works, but will have evaluated the reasons for Joyce's prestigious position within the English canon. Upon completion of this course, students will be able to: place the works of James Joyce in the context of historical events and literary developments (in Ireland as well as the broader literary community) contemporaneous to their creation; discuss the theme of place in Joyce's works, especially in The Dubliners; more specifically, students will be able to describe the notion of place in Joyce's works as it relates to identity; identify the literary strategies and techniques Joyce uses in his works and cite examples of them from the texts read in class; trace the evolution of Joyce's writing style across his different books and compare the development of shared themes in his various novels; identify and discuss the main recurring themes in James's work, including immobility, religion, and maturation, and cite examples of these from his specific texts; summarize the use of language in Joyce's works, specifically Finnegans Wake, and point to this as an example of Joyce's unique aesthetic. (English Literature 406)

This course surveys both cinematic and literary representations of diverse eras and aspects of Japanese culture such as the classical era, the samurai age, wartime Japan and the atomic bombings, social change in the postwar period, and the appropriation of foreign cultural themes, with an emphasis on the modern period. Directors include Akira Kurosawa and Hiroshi Teshigahara. Authors include Kobo Abe and Yukio Mishima. Films shown have subtitles in English. Taught in English.

This course will address some fundamental questions regarding human language: (1) How language is represented in our minds; (2) how language is acquired by children; (3) how language is processed by adults; (4) the relationship between language and thought; (5) exploring how language is represented and processed using brain imaging methods; and (6) computational modeling of human language acquisition and processing.

Leyendas y arquetipos del Romanticismo español is an introduction to nineteenth-century Spanish literature with a thematic focus on legends and archetypes. It presents Romanticism in the context of nineteenth-century literary and social movements. It is designed as a first anthology for intermediate Spanish students at American universities. Although brief, it includes poetry, drama in verse and short story. The works have been selected for their literary interest and the social importance of their themes. They are all by canonical authors.
The Prologue and introductions to the authors and texts often utilize circumlocution to facilitate comprehension, and include concrete examples of the concepts presented. The author biographies are brief and should not be used as study materials, but rather as starting points for students’ own exploration. Many students prefer following their own interests when researching author biographies, and the internet makes accessible a plethora of bibliographic resources, such as the Biblioteca Virtual Miguel de Cervantes, the Centro Virtual Cervantes of the Cervantes Institute, or the Biblioteca Digital Hispánica of the Spanish National Library. Student participation in the selection of topics and sources emphasizes the investigative process and leads to richer class discussions.