Although the text is designed to look like an actual book, the …
Although the text is designed to look like an actual book, the Table of Contents is composed of hyperlinks that will take you to each introductory section and then to each text. The three parts of the text are organized into the following units:
Part 4—The Seventeenth and Eighteenth Centuries
Unit I: The Age of Reason
Unit II: The Near East and Asia
Part 5—The Long Nineteenth Century
Unit I Romanticism
Unit II Realism
Part 6—The Twentieth Century and Contemporary Literature
Unit I Modernism
Unit II Postcolonial Literature
Unit III Contemporary Literature
Texts from a variety of genres and cultures are included in each unit. Additionally, each selection or collection includes a brief introduction about the author and text(s), and each includes 3 – 5 discussion questions. Texts in the public domain--those published or translated before 1923--are replicated here. Texts published or translated after 1923 are not yet available in the public domain. In those cases, we have provided a link to a stable site that includes the text. Thus, in Part 6, most of the texts are accessible in the form of links to outside sites. In every case, we have attempted to connect to the most stable links available.
In this interdisciplinary seminar, we explore a variety of visual and written …
In this interdisciplinary seminar, we explore a variety of visual and written tools for self exploration and self expression. Through discussion, written assignments, and directed exercises, students practice utilizing a variety of media to explore and express who they are.
"This class explores composition and arrangement for the large jazz ensemble from …
"This class explores composition and arrangement for the large jazz ensemble from 1920s foundations to current postmodern practice. Consideration given to a variety of styles and to the interaction of improvisation and composition. Study of works by Basie, Ellington, Evans, Gillespie, Golson, Mingus, Morris, Nelson, Williams, and others. Open rehearsals, workshops, and performances of student compositions by the MIT Festival Jazz Ensemble and the Aardvark Jazz Orchestra. ĺĘ"
A series of progressive composition projects, culminating in a large final projecting, …
A series of progressive composition projects, culminating in a large final projecting, using various types of music hardware and software. Instruction in recording, editing, synthesis, sampling, digital sound processing, sequencing, and interactive systems. Close listening to computer and electronic music from various genres including Varese, Cage, Schaeffer, Xenakis, Lansky, Stockhausen, Tcherepnin, Barlow, Gunter, and Eno. Subject focuses on using the computer as a means of musical creativity and intuition.
A computational camera attempts to digitally capture the essence of visual information …
A computational camera attempts to digitally capture the essence of visual information by exploiting the synergistic combination of task-specific optics, illumination, sensors and processing. In this course we will study this emerging multi-disciplinary field at the intersection of signal processing, applied optics, computer graphics and vision, electronics, art, and online sharing through social networks. If novel cameras can be designed to sample light in radically new ways, then rich and useful forms of visual information may be recorded -- beyond those present in traditional photographs. Furthermore, if computational process can be made aware of these novel imaging models, them the scene can be analyzed in higher dimensions and novel aesthetic renderings of the visual information can be synthesized.We will discuss and play with thermal cameras, multi-spectral cameras, high-speed, and 3D range-sensing cameras and camera arrays. We will learn about opportunities in scientific and medical imaging, mobile-phone based photography, camera for HCI and sensors mimicking animal eyes. We will learn about the complete camera pipeline. In several hands-on projects we will build physical imaging prototypes and understand how each stage of the imaging process can be manipulated.
A Concise Introduction to Logic is an introduction to formal logic suitable …
A Concise Introduction to Logic is an introduction to formal logic suitable for undergraduates taking a general education course in logic or critical thinking, and is accessible and useful to any interested in gaining a basic understanding of logic. This text takes the unique approach of teaching logic through intellectual history; the author uses examples from important and celebrated arguments in philosophy to illustrate logical principles. The text also includes a basic introduction to findings of advanced logic. As indicators of where the student could go next with logic, the book closes with an overview of advanced topics, such as the axiomatic method, set theory, Peano arithmetic, and modal logic. Throughout, the text uses brief, concise chapters that readers will find easy to read and to review.
A Concise Introduction to Logic is an introduction to formal logic suitable …
A Concise Introduction to Logic is an introduction to formal logic suitable for undergraduates taking a general education course in logic or critical thinking, and is accessible and useful to any interested in gaining a basic understanding of logic. This text takes the unique approach of teaching logic through intellectual history; the author uses examples from important and celebrated arguments in philosophy to illustrate logical principles. The text also includes a basic introduction to findings of advanced logic. As indicators of where the student could go next with logic, the book closes with an overview of advanced topics, such as the axiomatic method, set theory, Peano arithmetic, and modal logic. Throughout, the text uses brief, concise chapters that readers will find easy to read and to review.
Critical review of works, theories, and polemics in architecture in the aftermath …
Critical review of works, theories, and polemics in architecture in the aftermath of WWII. Aim is a historical understanding of the period and the development of a meaningful framework to assess contemporary issues in architecture. Special attention paid to historiographic questions of how architects construe the terms of their "present." Required of M.Arch. students.
Contemporary art denotes a specific period of art starting in the 1960s …
Contemporary art denotes a specific period of art starting in the 1960s that is characterized by a break from the modernist artistic canon and a desire to move away from the dominant Western cultural model, looking for inspiration in everyday and popular culture. This course focuses on Western art and culture, yet also explores a selection of contemporary art around the globe. The student will examine a variety of specific aesthetic and social issues and look at the different strategies contemporary artists proposed and used in their work. Upon successful completion of this course, the student will be able to: identify significant works of contemporary art and visual culture; describe the difference between modernist and contemporary works of art; explain the geographical shift of artistic centers from Europe (Paris) to the United States (New York), and then in the 21st century to a global spreading (Asia and Africa); define and discuss the development of contemporary art as a series of different cultural, social, and political inquiries over the past 50 years; identify and discuss multiple and vital relationships between contemporary art and such broader social and cultural issues as ideology, gender, race, or ethnicity; describe and explain a relationship between different contemporary art strategies, such as performance or installation, and their immediate social and cultural context; discuss how important contemporary artworks relate to their social and historical contexts; define contemporary art as a continuing, international artistic project; identify and define the importance of contemporary art and contemporary visual culture in today's increasingly globalized world. (Art History 408)
Subject focuses on fiction, drama, and poetry and possibly films inspired by …
Subject focuses on fiction, drama, and poetry and possibly films inspired by these topics mostly of the 1960s, 1970s, and 1980s. What is Britain now? Its metropolises are increasingly multicultural. Its hold over its distant colonies is a thing of the past. Its sway within the global political arena is weak. Its command over Northern Ireland, Wales, and Scotland is broken or threatened. What have novelists made of all this? What are they writing as the old empire fades away and as new social and political formations emerge? These are the questions that will concern us in this course.
Subject focuses on fiction, drama, and poetry and possibly films inspired by …
Subject focuses on fiction, drama, and poetry and possibly films inspired by these topics mostly of the 1960s, 1970s, and 1980s. This semester, Contemporary Literature (21L.488) deals with Irish literature, a subject broad and deep. To achieve a manageable volume of study, the course focuses primarily on poetry and prose, at drama's expense, and on living writers, at the expense of their predecessors. Each class session follows a discussion format, often with students assigned to lead-off or summarize the day's topic.
In this class we will focus on the connections between urban exploration …
In this class we will focus on the connections between urban exploration and reading, attending to such shared concerns as pacing, legibility, transgression, attention and distraction, tracing and retracing, and memory. This idea of re-reading cities will be both a theme centering our discussions and a guiding principle of the course design, as we continuously loop back, returning to haunt texts we left behind earlier in the semester.
A compilation of video scenarios of people interacting with each other in …
A compilation of video scenarios of people interacting with each other in Portuguese. Conversations include dialogs, questions, turn taking exchanges, clarifications, false starts, hugs, laughter, asides. The scenarios are enhanced by transcriptions, translations, content analysis, and notes and discussion blogs.
Conversa Brasileira is an online open access site that contains a series …
Conversa Brasileira is an online open access site that contains a series of 35 video scenarios in which Brazilians talk about their daily activities, everything from hobbies to shopping, and from traffic jams to soccer games. These materials are designed to help intermediate- and advanced-level learners of Portuguese to analyze the way that Brazilians really talk and improve in their own proficiency and fluency. This textbook provides a hardcopy of all of the online materials, including the dialog transcriptions, English translations, and lesson notes that link to the original website.
1. Animals 1: Dog Lovers 1 2. Animals 2: Dog Lovers 2 3. Travel 1: Hanging Out At Breakfast 1 4. Travel 2: Hanging Out At Breakfast 2 5. Hobbies I : Anne’s Almost 4 Months Old 6. Hobbies 2: Collecting Brazilian Musical Instruments 7. Relationships 1: It’s The Same Thing All Over Again 8. Relationships 2: Eloísa’s The Black Sheep Of The Family 9. Food 1: Kill Me Now, Or Feed Me Something Brazilian 10. Food 2: Brazilian “Churrasco” With A Capital Bbq! 11. Working Out 1: I'm Just Not Feeling It 12. Working Out 2: I Love Going To The Gym 13. Wedding 1: A Coisa Tava Chique! 14. Wedding: Mixing It Up. When Brazilians Marry Americans 15. Grandparents 1: Hopscotch And Marbles Or Polly Pocket? 16. Grandparents 2: Well Grandma, There Isan Easier Way To Do It 17. Moms In The Park 1: Don’t Cry. You’reok! 18. Moms In The Park 2: They Are Getting Along Really Well 19. School 1: I Have My Very Own Locker! 20. School 2: What Are You Doing About The Whole Lunch Thing? 21. Shopping 1: They’ll Love This With A Passion! 22. Shopping 2: It Looks Like Spun Gold, Doesn’t It? 23. Shopping 3: Capricha Lá! 24. Directions 1: Tô Perdido – I’m Lost 25. Directions 2: Moço, Dá Licença – I’m Lost 26. Traffic 1: Don’t Be Blaming Me On This! 27. Traffic 2: I Hate This Traffic! 28. Gossip 1: Ói, Que Safado! 29. Gossip 2: Vai Ser Uma Dupla Interessante 30. Soccer 1: Você Foi Muito Fominha Hoje! 31. Soccer 2: Ninguém Tira O Título Da Gente 32. Jam Session 1: Acabou Batendo Aqui Na Cabeça 33. Jam Session 2:Tem Que Agradar Todomundo, Né? 34. Studio 1: Behind The Scenes, Ói, Que Safado! 35. Studio 2: Behind The Scenes – Eu Também Acho
Reviews of the book available here: https://open.umn.edu/opentextbooks/textbooks/conversa-brasileira
This webpage provides over 20 basic conversational phrases and terms, all of …
This webpage provides over 20 basic conversational phrases and terms, all of which are used in most everyday discussions across the Arabic-speaking world. The terms and phrases are presented in transliterated form with English translation; no Arabic script is used.
Trebia. Trasimene. Cannae. With three stunning victories, Hannibal humbled Rome and nearly …
Trebia. Trasimene. Cannae. With three stunning victories, Hannibal humbled Rome and nearly shattered its empire. Even today Hannibal's brilliant, if ultimately unsuccessful, campaign against Rome during the Second Punic War (218-202 BC) make him one of history's most celebrated military leaders. This biography by Cornelius Nepos (c. 100-27 BC) sketches Hannibal's life from the time he began traveling with his father's army as a young boy, through his sixteen-year invasion of Italy and his tumultuous political career in Carthage, to his perilous exile and eventual suicide in the East. As Rome completed its bloody transition from dysfunctional republic to stable monarchy, Nepos labored to complete an innovative and influential collection of concise biographies. Putting aside the detailed, chronological accounts of military campaigns and political machinations that characterized most writing about history, Nepos surveyed Roman and Greek history for distinguished men who excelled in a range of prestigious occupations. In the exploits and achievements of these illustrious men, Nepos hoped that his readers would find models for the honorable conduct of their own lives. Although most of Nepos' works have been lost, we are fortunate to have his biography of Hannibal. Nepos offers a surprisingly balanced portrayal of a man that most Roman authors vilified as the most monstrous foe that Rome had ever faced.
Reviews available here: https://open.umn.edu/opentextbooks/textbooks/cornelius-nepos-life-of-hannibal-latin-text-notes-maps-illustrations-and-vocabulary
Trebia. Trasimene. Cannae. With three stunning victories, Hannibal humbled Rome and nearly …
Trebia. Trasimene. Cannae. With three stunning victories, Hannibal humbled Rome and nearly shattered its empire. Even today Hannibal's brilliant, if ultimately unsuccessful, campaign against Rome during the Second Punic War (218-202 BC) make him one of history's most celebrated military leaders. This biography by Cornelius Nepos (c. 100-27 BC) sketches Hannibal's life from the time he began traveling with his father's army as a young boy, through his sixteen-year invasion of Italy and his tumultuous political career in Carthage, to his perilous exile and eventual suicide in the East. As Rome completed its bloody transition from dysfunctional republic to stable monarchy, Nepos labored to complete an innovative and influential collection of concise biographies. Putting aside the detailed, chronological accounts of military campaigns and political machinations that characterized most writing about history, Nepos surveyed Roman and Greek history for distinguished men who excelled in a range of prestigious occupations. In the exploits and achievements of these illustrious men, Nepos hoped that his readers would find models for the honorable conduct of their own lives. Although most of Nepos' works have been lost, we are fortunate to have his biography of Hannibal. Nepos offers a surprisingly balanced portrayal of a man that most Roman authors vilified as the most monstrous foe that Rome had ever faced.
This class provides an overview of some of the techniques used in …
This class provides an overview of some of the techniques used in creating costume pieces that are crafted rather than sewn. We will use a variety of materials and techniques to create specific costume pieces while at the same time exploring alternative applications possible for each material/technique.
No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make derivative works.
Most restrictive license type. Prohibits most uses, sharing, and any changes.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.
