Close study of a limited group of writers. Instruction and practice in oral and written communication. Topic for Fall: Willa Cather. Topic for Spring: Oscar Wilde and the 90s.

The Medieval Period, or the Middle Ages, occurred between the fall of the Roman Empire and the beginning of the European Renaissance. The student will identify and examine the forms, genres, literary conventions, and topics of concern that typify medieval literature. This course will approach literature as a product of specific historical and cultural circumstances, including topics such as Anglo-Saxon England and Old English poetry; Anglo-Norman England and the Romances; and Middle English Literature. Upon successful completion of this course, students will be able to: situate the literature of the Medieval period within its historical context, particularly in relation to the development of Christian culture; explain the relevance of central themes in Medieval texts, including those relating to economic, social, and religious issues; recognize and identify the different genres in which Medieval writers worked and explain these genres relate to one another both historically and stylistically; identify the stylistic and formal elements of Medieval poetry and prose; define and use important literary terms related to major works of the Medieval period; trace the evolution of language (Old, Middle, and New English) within the context of Medieval literature; describe the literature of the period as a product of oral culture; identify and describe the alliterative line. (English Literature 201)

Examines cultural developments within European literature from different societies at different time-periods throughout the Middle Ages (500-1500). Considers--from a variety of political, historical, and anthropological perspectives--the growth of institutions (civic, religious, educational, and economic) which shaped the personal experiences of individuals in ways that remain quite distinct from those of modern Western societies. Texts mostly taught in translation. Topics vary and include: Courtly Literature of the High and Late Middle Ages, Medieval Women Writers, Chaucer and the 14th Century, and the Crusades.

Examines cultural developments within European literature from different societies at different time-periods throughout the Middle Ages (500-1500). Considers--from a variety of political, historical, and anthropological perspectives--the growth of institutions (civic, religious, educational, and economic) which shaped the personal experiences of individuals in ways that remain quite distinct from those of modern Western societies. Texts mostly taught in translation. Topics vary and include: Courtly Literature of the High and Late Middle Ages, Medieval Women Writers, Chaucer and the 14th Century, and the Crusades.

In this course, the student will examine the writings of a diverse group of medieval women and analyze the perceptions of reality that they present, taking into account critics' views on their works as well. The student will begin by acquainting ourselves with the major socio-historical developments that shaped women's role in the period. The student will then take a look at some major feminist and gender/sex-related approaches to literature, followed by readings of women-authored texts, examining their styles, techniques, and representations of the world around them. Upon completion of this course, students will be able to: explain Medievalism as both a historical period and a movement in literature and the arts; provide an account of the role of women in the Middle Ages; explain the general intellectual climate of the Middle Ages; explain the significance of the Fall of the Roman Empire; explain the importance of Medieval oral traditions, the rise of literacy, cultures of chivalry, courtly love, Scholasticism, and the Church; describe the lives of Medieval women, wives, virgins, lovers, and mothers; explain the relationship between Medieval women and the Church in terms of theology, emerging religious communities, persecution, nunnery, scripture, hagiography, martyrdom, and sainthood; discuss Medieval concepts of gender and sexuality; explain the notion of secular female authorship; describe Medieval class structure and especially the nature of aristocratic and working-class women in the Middle Ages; identify and describe the formal and structural conventions of the Medieval lay; detail the themes of love, desire, romance, marriage, widowhood, and literary self-expression in the Medieval text; describe the major tenets, ideals, and ideas investigated in ChaucerĺÎĺĺÎĺs Canterbury Tales, especially from the perspective of the women in this complex text. (English Literature 407)

Description:

Original text written by Leonor López de Córdoba (c.1362-1430)

Spanish modernized by María-Milagros Rivera Garretas

Guided-reading edition prepared by Christopher C. Oechler

Explores the theory and practice of scientific modeling in the context of auditory and speech biophysics. Based principally on seminar-style discussions of the research literature, subject draws on examples from hearing and speech (e.g., cochlear and vocal-fold mechanics) to explore general, meta-theoretical issues that transcend the particular subject matter. Examples include: What is a model? What is the process of model building? What are the different approaches to modeling? What is the relationship between theory and experiment? How are models tested? What constitutes a good model?

Consideration of some substantial twentieth-century poetic voices. Authors vary, but may include Moore, Frost, Eliot, Stevens, and Pound. This course considers some of the substantial early twentieth-century poetic voices in America. Authors vary, but may include Moore, Frost, Eliot, Stevens, and Pound. We'll read the major poems by the most important poets in English in the 20th century, emphazinig especially the period between post-WWI disillusionment and early WW II internationalism (ca. 1918-1940). Our special focus this term will be how the concept of "the Image" evolved during this period. The War had undercut beliefs in master-narratives of nationalism and empire, and the language-systems that supported them (religious transcendence, rationalism and formalism). Retrieving energies from the Symbolist movements of the preceding century, early 20th century poets began to rethink how images carry information, and in what ways the visual, visionary, and verbal image can take the place of transcendent beliefs. New theories of linguistics and anthropology helped to advance this interest in the artistic/religious image. So did Freud. So did Charlie Chaplin films. We'll read poems that pay attention both to this disillusionment and to the compensatory joyous attention to the image: to ideas of the poet-as-language-priest, aesthetic-experience-as-displaced-religious impulse, to poetry as faith, ritual, and form.

This course will ask what makes poetry 'modern?' The student will discuss the cultural and political history of the period as well as the major movements that comprise 'modern poetry,' stopping to become acquainted with its noteworthy practitioners and perform close-readings of their works. By the end of this course, the student will have critically explored the concept of modern poetry, identifying its characteristic techniques, concerns, and figures. Upon completion of this course, students will be able to: describe Modernity/Modernism as both a historical period and a movement in art and literature; define and differentiate between the terms modern, modernism, and modernity; define Victorianism and explain its relationship to Modernism; describe the nature of turn-of-the-twentieth-century poetry in both England and France; define Symbolism, Dandyism, Aestheticism, and Decadence; provide accounts of the origins of the Great War, life in Edwardian England, and World War II; list, compare, and contrast the major authors of the early 1900s, of World War I, the Lost Generation, World War II, the Great Depression, the Holocaust, High Modernism, the Harlem Renaissance, and the post-WWII period. (English Literature 408)

Detailed analysis of the biochemical mechanisms that control the maintenance, expression, and evolution of prokaryotic and eukaryotic genomes. Topics covered in lecture and readings of relevant literature include: gene regulation, DNA replication, genetic recombination, and translation. Logic of experimental design and data analysis emphasized. Presentations include both lectures and group discussions of representative papers from the literature.

This is a review of Sharman, Russell Leigh. Moving Pictures: An Introduction to Cinema. University of Arkansas, 2020. Open Textbook Library. https://uark.pressbooks.pub/movingpictures/ completed by Alyson Blythe, Assistant Professor of English/Humanities Coordinator at Fletcher Technical Community College.   

ENG 241 Mythology

Chapter readings for:
Unit 1: Creation
- Types of Creation Myths
- Maya Myths
- Norse Myths
- Roman/ Greek Myths
- Indian Myths
Unit 2: Myths of the Great and Vengeful Goddesses
- Maya Myth
- Norse Myth
- Roman Myth
- Indian Myth
- Babylonian Myth
- North America - Lakota
Unit 3: Heroes in the Underworld
- Maya Myth
- Norse Myth
- Roman Myth
- Indian Myth
- Babylonian Myth
- American Folktales
- North American - Ojibwe

Informed by a writing philosophy that values both spontaneity and discipline, Michelle Bonczek Evory’s Naming the Unnameable: An Approach to Poetry for New Generations offers practical advice and strategies for developing a writing process that is centered on play and supported by an understanding of America’s rich literary traditions. With consideration to the psychology of invention, Bonczek Evory provides students with exercises aimed to make writing in its early stages a form of play that gives way to more enriching insights through revision, embracing the writing of poetry as both a love of language and a tool that enables us to explore ourselves and better understand the world. The volume includes resources for students seeking to publish and build a writing-centered lifestyle or career. Poets featured range in age, subject, and style, and many are connected to colleges in the State University of New York system. Naming the Unnameable promotes an understanding of poetry as a living art of which students are a part, and provides ways for students to involve themselves in the growing contemporary poetry community that thrives in America today.

Informed by a writing philosophy that values both spontaneity and discipline, Michelle Bonczek Evory’s Naming the Unnameable: An Approach to Poetry for New Generations offers practical advice and strategies for developing a writing process that is centered on play and supported by an understanding of America’s rich literary traditions. With consideration to the psychology of invention, Bonczek Evory provides students with exercises aimed to make writing in its early stages a form of play that gives way to more enriching insights through revision, embracing the writing of poetry as both a love of language and a tool that enables us to explore ourselves and better understand the world. The volume includes resources for students seeking to publish and build a writing-centered lifestyle or career. Poets featured range in age, subject, and style, and many are connected to colleges in the State University of New York system. Naming the Unnameable promotes an understanding of poetry as a living art of which students are a part, and provides ways for students to involve themselves in the growing contemporary poetry community that thrives in America today.

The main goal of this seminar will be to study the nervous system from the perspective of neuron-glia interactions. In each class, we will focus on one type of glial cell and discuss its origin, classification and function within the nervous system. Current findings concerning diseases associated with each type of glial cell will be discussed. This course is one of many Advanced Undergraduate Seminars offered by the Biology Department at MIT. These seminars are tailored for students with an interest in using primary research literature to discuss and learn about current biological research in a highly interactive setting. Many instructors of the Advanced Undergraduate Seminars are postdoctoral scientists with a strong interest in teaching.

Every time we scientists think that we have dissected the precise biological nature of a process, an incidental finding, a brilliantly designed experiment, or an unexpected result can turn our world upside down. Until recently thought by many to be cellular "junk" because they do not encode proteins, non-coding RNAs are gaining a growing recognition for their roles in the regulation of a wide scope of processes, ranging from embryogenesis and development to cancer and degenerative disorders. The aim of this class is to introduce the diversity of the RNA world, inhabited by microRNAs, lincRNAs, piRNAs, and many others. This course is one of many Advanced Undergraduate Seminars offered by the Biology Department at MIT. These seminars are tailored for students with an interest in using primary research literature to discuss and learn about current biological research in a highly interactive setting. Many instructors of the Advanced Undergraduate Seminars are postdoctoral scientists with a strong interest in teaching.

   This work is an academic book review. Harold Eggerd gives an in-depth analysis of the work of Stephen Poulter, titled "Frameworks of Academic Writing". Readers can use this material as reference.

The Open Access Companion to the Canterbury Tales (OACCT) is a volume of introductory chapters for first-time, university-level readers of Geoffrey Chaucer’s The Canterbury Tales. The chapters have been created and edited by professional scholars of Chaucer, and all material is released open access and free of charge for classroom, scholarly, and personal use.

There are two kinds of material available here. Essay chapters explore each of the tales in relation to an engaging topic of broad general interest, while reference chapters provide key context and tools for understanding the Canterbury Tales and its time period. In the future, more material will be added to this project: teaching resources, reader contributions, and new essay chapters that consider tales from additional viewpoints and in relation to different topics.

This rubric was developed by BCcampus. This work is licensed under a Creative Commons Attribution 3.0 Unported license.The rubric allows reviewers to evaluate OER textbooks using a consistent set of criteria. Reviewers are encouraged to remix this rubric and add their review content within this tool. If you remix this rubric for an evaluation, please add the title to the evaluated content and link to it from your review.This is a review of the Open Access Companion to Chaucer: https://louis.oercommons.org/courses/the-open-access-companion-to-the-canterbury-tales-a-new-way-to-learn-about-old-books completed by Will Rogers, Assistant Professor of English, ULM