Extensive reading of works by a few major poets. Emphasizes the evolution of each poet's work and the questions of poetic influence and literary tradition. Instruction and practice in oral and written communication. Topic for Fall: Does Poetry Matter? Topic for Spring: Gender and Lyric Poetry. From the course home page Course Description The landscape we will explore is the troublesome one of the relevance, impact, and importance of poetry in a troubled modern world. We will read both poetry and prose by several substantial modern writers, each of whom confronted the question that is the subject's title.

Extensive reading of works by a few major poets. Emphasizes the evolution of each poet's work and the questions of poetic influence and literary tradition. Instruction and practice in oral and written communication. Topic for Fall: Does Poetry Matter? Topic for Spring: Gender and Lyric Poetry.

Extensive reading of works by a few major poets. Emphasizes the evolution of each poet's work and the questions of poetic influence and literary tradition. Instruction and practice in oral and written communication. Topic for Fall: Does Poetry Matter? Topic for Spring: Gender and Lyric Poetry. The core of this seminar will be the great sequences of English love sonnets written by William Shakespeare, Philip Sidney, Edmund Spenser, and Mary Wroth. These poems cover an enormous amount of aesthetic and psychological ground: ranging from the utterly subjective to the entirely public or conventional, from licit to forbidden desires, they might also serve as a manual of experimentation with the resources of sound, rhythm, and figuration in poetry. Around these sequences, we will develop several other contexts, using both Renaissance texts and modern accounts: the Petrarchan literary tradition (poems by Francis Petrarch and Sir Thomas Wyatt); the social, political, and ethical uses of love poetry (seduction, getting famous, influencing policy, elevating morals, compensating for failure); other accounts of ideal masculinity and femininity (conduct manuals, theories of gender and anatomy); and the other limits of the late sixteenth century vogue for love poetry: narrative poems, pornographic poems, poems that don't work.

The disciplines of music history and music theory have been slow to embrace the digital revolutions that have transformed other fields' text-based scholarship (history and literature in particular). Computational musicology opens the door to the possibility of understanding - even if at a broad level - trends and norms of behavior of large repertories of music. This class presents the major approaches, results, and challenges of computational musicology through readings in the field, gaining familiarity with datasets, and hands on workshops and assignments on data analysis and "corpus" (i.e., repertory) studies. Class sessions alternate between discussion/lecture and labs on digital tools for studying music. A background in music theory and/or history is required, and experience in computer programming will be extremely helpful. Coursework culminates in an independent research project in quantitative or computational musicology that will be presented to the class as a whole.

This course explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. It provides an understanding of the place of ambiguity and the role of interpretation in culture, science and art. Great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten are explored, as well as readings from the most recent scholarship on magic and the supernatural.

Review  Survey of English Literature IExamines major British texts from the Anglo-Saxon period to the 18th century, emphasizing the ideas and characteristics of the British literary tradition. Involves critical reading and writingCompleted  by Joyce Cottonham, Southern University in Shreveport, LAhttps://louis.oercommons.org/courses/survey-of-english-literature-i/view  

A survey of British literature from 1789 to 1989, this course begins with the poetry of William Blake and ends with the prose of Chinua Achebe and the graphic fiction of Alan Moore and David Lloyd.. You will be reading literature that represents a complex range of forms or genres of writing, including poetry, non-fiction prose, and the novel. We will chart the evolution of the British Empire, from the time of the French and Industrial Revolutions through the expansion of frontiers and the consequences of that expansion.

This is a syllbus for English 2031 (Introduction to the Novel) at LSU Alexandria, which is course English 2303 on the statewide common course matrix. https://louis.oercommons.org/editor/documents/620

In this course we will discover how innovative technologies combined with profound hypotheses have given rise to our current understanding of neuroscience. We will study both new and classical primary research papers with a focus on the plasticity between synapses in a brain structure called the hippocampus, which is believed to underlie the ability to create and retrieve certain classes of memories. We will discuss the basic electrical properties of neurons and how they fire. We will see how firing properties can change with experience, and we will study the biochemical basis of these changes. We will learn how molecular biology can be used to specifically change the biochemical properties of brain circuits, and we will see how these circuits form a representation of space giving rise to complex behaviors in living animals. A special emphasis will be given to understanding why specific experiments were done and how to design experiments that will answer the questions you have about the brain. This course is one of many Advanced Undergraduate Seminars offered by the Biology Department at MIT. These seminars are tailored for students with an interest in using primary research literature to discuss and learn about current biological research in a highly interactive setting. Many instructors of the Advanced Undergraduate Seminars are postdoctoral scientists with a strong interest in teaching.

This course book offers a portion of the original Latin text, study aids with vocabulary, and a commentary. Designed to stretch and stimulate readers, Owen's and Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. It extends beyond detailed linguistic analysis and historical background to encourage critical engagement with Tacitus' prose and discussion of the most recent scholarly thought.

Table of Contents
1. Preface and acknowledgements

2. Introduction

2.1 Tacitus: life and career
2.2 Tacitus' times: the political system of the principate
2.3 Tacitus' oeuvre: opera minora and maiora
2.4 Tacitus' style (as an instrument of thought)
2.5 Tacitus' Nero-narrative: Rocky-Horror-Picture Show and Broadway on the Tiber
2.6 Thrasea Paetus and the so-called ‘Stoic opposition'
3. Latin text with study questions and vocabulary aid

4. Commentary

Section 1: Annals 15.20–23
(i) 20.1–22.1: The Meeting of the Senate
(ii) 22.2: Review of striking prodigies that occurred in AD 62
(iii) 23.1–4: Start of Tacitus' account of AD 63: the birth and death of Nero's daughter by Sabina Poppaea, Claudia Augusta
Section 2: Annals 15.33–45 (AD 64)
(i) 33.1–34.1: Nero's coming-out party as stage performer
(ii) 34.2–35.3: A look at the kind of creatures that populate Nero's court – and the killing of an alleged rival
(iii) 36: Nero considers, but then reconsiders, going on tour to Egypt
(iv) 37: To show his love for Rome, Nero celebrates a huge public orgy that segues into a mock-wedding with his freedman Pythagoras
(v) 38–41: The fire of Rome
(vi) 42–43: Reconstructing the Capital: Nero's New Palace
(vii) 44: Appeasing the Gods, and Christians as Scapegoats
(viii) 45: Raising of Funds for Buildings
5. Bibliography

6. Visual aids

6.1 Map of Italy
6.2 Map of Rome
6.3 Family Tree of Nero and Junius Silanus
6.4 Inside the Domus Aurea

Studies the relations between literature (primarily of the Renaissance and Early Modern periods) and the technologies associated with its production and dissemination. Instruction and practice in oral and written communication. Topic for Spring: Hypertexts and Hyperrealities. This course explores the properties of non-sequential, multi-linear, and interactive forms of narratives as they have evolved from print to digital media. Works covered in this course range from the Talmud, classics of non-linear novels, experimental literature, early sound and film experiments to recent multi-linear and interactive films and games. The study of the structural properties of narratives that experiment with digression, multiple points of view, disruptions of time, space, and of storyline is complemented by theoretical texts about authorship/readership, plot/story, properties of digital media and hypertext. Questions that will be addressed in this course include: How can we define "non-sequentiality/multi-linearity", "interactivity", "narrative". To what extend are these aspects determined by the text, the reader, the digital format? What are the roles of the reader and the author? What kinds of narratives are especially suited for a non-linear/interactive format? Are there stories that can only be told in a digital format? What can we learn from early non-digital examples of non-linear and interactive story telling?

Our linked subjects are (1) the historical process by which the meaning of technology has been constructed, and (2) the concurrent transformation of the environment. To explain the emergence of technology as a pivotal word (and concept) in contemporary public discourse, we will examine responses--chiefly political and literary--to the development of the mechanic arts, and to the linked social, cultural, and ecological transformation of 19th- and 20th-century American society, culture, and landscape.

"In diesem Kurs erhalten Sie einen ?berblick ?ber einige wichtige literarische Texte, Tendenzen und Themen aus der deutschsprachigen Literatur- und Kulturszene. Wir werden literarische Texte, Gedichte, Theaterst?cke und Essays untersuchen, sowie andere ?sthetische Formen besprechen, wie Film und Architektur. Da alle Texte gleichzeitig in ihrem spezifischen kulturellen Kontext gelesen werden, tragen sie zu einem Verst?ndnis von verschiedenen historischen Aspekten bei. Unter anderen werden folgende Themen und Fragestellungen besprochen: Technologie und deren Einfluss auf die Gesellschaft, Fragen der Ethik bei wissenschaftlicher Arbeit, Konstruktion von nationaler Geschichte und kollektivem Ged?chtnis."

The ebook is a collection of essays on publication histories of various African American authors.

The Empire Strikes back refers to the theoretical framework introduced to study texts and their recurrent themes. Theory explores the ways in which post-colonial texts have a problematic relationship with the colonizer's language. Explores strategies used to subvert and appropriate the pre-existing discourse of the Empire in order to give rise to a new form. Introduction to post-colonial literature from South Asia, as well as from the South Asian diaspora. Through study of novels by Rushdie, Ghosh, Seth, Roy, Desai, Ontaatdje, Suleri, Sidhwa, and Lahiri, students explore the phenomenon of the post-colonial writer's encounter with modernity. Examines how authors articulate recurrent themes of the post-colonial condition: migration and history, memory and desire, and rootlessness and hybridity. Taught in English. This subject aims to provide an overview of contemporary texts in regional languages in South Asian Literature and Cinema. We will cover major authors and film makers, writing from Bangladesh, India, Nepal, Pakistan and Sri Lanka. Within India, we will look at authors and directors working in different regional languages and as we examine their different socio-cultural, political and historical contexts we will attempt to understand what it means to study them under the all-unifying category of "South Asian Literature and Culture". Some of the major issues we shall explore include caste, gender, globalization and social change. We will end with exploring some of the newer, younger writers and directors and try to analyze some of the thematic and formal shifts in their work. Authors include Ashapurna Devi, Manto, Vijayan, Premchand, Mohanty, and Nasreen and film makers will include Adoor Gopalakrishnan, Satyajit Ray, Shyam Benegal, Aparna Sen and Rituporno Ghosh.

Aspects of the tragic as a mode of literature and a quality of lived experience pursued in readings that extend from the warfare of the ancient world to the experiences of modern life. Authors include Aeschylus, Sophocles, Euripides, Shakespeare, Balzac, Tolstoy, Ibsen, Conrad, Dinesen, Faulkner, and Camus. Includes viewing of at least two films. "Tragedy" is a name originally applied to a particular kind of dramatic art and subsequently to other literary forms; it has also been applied to particular events, often implying thereby a particular view of life. Throughout the history of Western literature it has sustained this double reference. Uniquely and insistently, the realm of the tragic encompasses both literature and life. Through careful, critical reading of literary texts, this subject will examine three aspects of the tragic experience: The scapegoat; The tragic hero; The ethical crisis. These aspects of the tragic will be pursued in readings that range in the reference of their materials from the warfare of the ancient world to the experience of the modern extermination camps.

This book was imported into the Pressbooks publishing platform using the Project Gutenberg EBook of The Turn of the Screw, by Henry James

British literature and culture during Queen Victoria's long reign, 1837-1901. Authors studied may include Charles Dickens, the Brontes, Lewis Carroll, George Eliot, Robert Browning, Oscar Wilde, Arthur Conan Doyle, Rudyard Kipling, and Alfred Lord Tennyson. Discussion of many of the era's major developments such as urbanization, steam power, class conflict, Darwin, religious crisis, imperial expansion, information explosion, and bureaucratization. Fiction, nonfiction, and poetry; syllabi vary.

In this course, the student will study the ways in which the Victorian novel represented social, political, scientific, philosophical, and cultural concerns. The course will analyze the context in which the Victorian novel flourished, followed by analyzing the forms, concerns, and impulses of a number of prominent Victorian novels, discussing what makes each novel ĺÎĺĺĺŤVictorian.Ą_ĺĺö Upon completion of this course, students will be able to: provide an introduction and overview to the Victorian era and the Victorian novel; explain and define 'Victorianism' as both a historical period and as a movement in art and literature; explain and describe the major concerns of the Victorian novel; identify the major forms of the Victorian novel; discuss the Victorian authorship and novelistic impulses of the most canonical Victorian authors including, for example, Charles Dickens, George Eliot, the BrontĄ_Ě_̨ Sisters, Joseph Conrad, Elizabeth Gaskell, Thomas Hardy, and Anthony Trollope. (English Literature 410)

The Victorian Women Writers Project (VWWP) began in 1995 at Indiana University and is primarily concerned with the exposure of lesser-known British women writers of the 19th century. The collection represents an array of genres - poetry, novels, children's books, political pamphlets, religious tracts, histories, and more. VWWP contains scores of authors, both prolific and rare.