This resource offers self-paced modules that will help you review key topics in writing. Each module provides instruction followed by review questions. The modules can be completed individually or in sequence. After completing a module, you have the option to download or print a completion report to share with a tutor, instructor, or save for posterity!

Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.

Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.

Reviews available here: https://open.umn.edu/opentextbooks/textbooks/writing-spaces-readings-on-writing-vol-ii

Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing, much like the model made famous by Wendy Bishop’s “The Subject Is . . .” series. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about developing nearly every aspect of the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.

Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing, much like the model made famous by Wendy Bishop’s “The Subject Is . . .” series. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about developing nearly every aspect of the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.

Reviews available here: https://open.umn.edu/opentextbooks/textbooks/writing-spaces-readings-on-writing-vol-i

The Writing Spaces Web Writing Style Guide was created as a crowdsourcing project of Collaborvention 2011: A Computers and Writing Unconference. College writing teachers from around the web joined together to create this guide (see our Contributors list). The advice within it is based on contemporary theories and best practices.

Third revision, August 2017.

Welcome to Writing Unleashed, designed for use as a textbook in first-year college composition programs, written as an extremely brief guide for students, jam-packed with teachers’ voices, students’ voices, and engineered for fun.

This textbook was created by Dana Anderson, Ronda Marman, and Sybil Priebe - all first-year college composition instructors at the North Dakota State College of Science in Wahpeton, ND.

Download here: https://drive.google.com/open?id=1JoX94RjwS-WoPnGCyIZ9ZTQeX74iG9hS

Welcome to Writing Unleashed, designed for use as a textbook in first-year college composition programs, written as an extremely brief guide for students, jam-packed with teachers’ voices, students’ voices, and engineered for fun.

able of Contents
Open License
Authors
Foreward
Introduction
Why, What, When, Where, How, Who?
Rhetorical Situation
Brainstorming & Prewriting
Thesis & Topic Sentences
Drafting
Revising
Editing
Peer Review
Common Essay Problems
Strategies
Narration
Description
Illustration
Process Analysis
Compare and Contrast
Division and Classification
Definition
Cause and Effect
Argument
Genres
Memoirs
Profiles
Essays
Letters
Email
Annotated Bibliography
Genres List
Research
The Research Process
Nerd
Grammar & Mechanics
Figurative Language
Style

MIT students are challenged daily to solve for x, to complete four problem sets, two papers, and prepare for an exam worth 30% of their grade... all in one night. When they do stop to breathe, it's for a shower or a meal. What does this have to do with creative writing? Everything. Creative writing and MIT go together better than you might imagine.

Subject focused on the ways writers transform experience into finished and polished writing in the forms of memoir, autobiography, and essay. Frequent writing assignments, regular revisions, and short oral presentations are required. Readings and specific writing assignments vary by section. See subject's URL for enhanced section descriptions. Emphasis is on developing students' ability to write clear and effective prose. Students can expect to write frequently, to give and receive response to work in progress, to improve their writing by revising, to read the work of accomplished writers, and to participate actively in class discussions and workshops.

In the age of Buzzfeeds, hashtags, and Tweets, students are increasingly favoring conversational writing and regarding academic writing as less pertinent in their personal lives, education, and future careers. Writing and Literature: Composition as Inquiry, Learning, Thinking and Communication connects students with works and exercises and promotes student learning that is kairotic and constructive. Dr. Tanya Long Bennett, professor of English at the University of North Georgia, poses questions that encourage active rather than passive learning. Furthering ideas presented in Contribute a Verse: A Guide to First-Year Composition as a complimentary companion, Writing and Literature builds a new conversation covering various genres of literature and writing. Students learn the various writing styles appropriate for analyzing, addressing, and critiquing these genres including poetry, novels, dramas, and research writing. The text and its pairing of helpful visual aids throughout emphasizes the importance of critical reading and analysis in producing a successful composition. Writing and Literature is a refreshing textbook that links learning, literature, and life.

In the age of Buzzfeeds, hashtags, and Tweets, students are increasingly favoring conversational writing and regarding academic writing as less pertinent in their personal lives, education, and future careers. Writing and Literature: Composition as Inquiry, Learning, Thinking and Communication connects students with works and exercises and promotes student learning that is kairotic and constructive. Dr. Tanya Long Bennett, professor of English at the University of North Georgia, poses questions that encourage active rather than passive learning. Furthering ideas presented in Contribute a Verse: A Guide to First-Year Composition as a complimentary companion, Writing and Literature builds a new conversation covering various genres of literature and writing. Students learn the various writing styles appropriate for analyzing, addressing, and critiquing these genres including poetry, novels, dramas, and research writing. The text and its pairing of helpful visual aids throughout emphasizes the importance of critical reading and analysis in producing a successful composition. Writing and Literature is a refreshing textbook that links learning, literature, and life.

Reviews available here: https://open.umn.edu/opentextbooks/textbooks/writing-and-literature-composition-as-inquiry-learning-thinking-and-communication

Exploration of formal and informal modes of writing nonfiction prose. Extensive practice in composition, revision, and editing. Reading in the literature of the essay from the Renaissance to the present, with an emphasis on modern writers. Classes alternate between discussion of published readings and workshops on student work. Individual conferences. This is a course focused on the literary genre of the essay, that wide-ranging, elastic, and currently very popular form that attracts not only nonfiction writers but also fiction writers, poets, scientists, physicians, and others to write in the form, and readers of every stripe to read it. Some say we are living in era in which the essay is enjoying a renaissance; certainly essays, both short and long, are at present easier to get published than are short stories or novels, and essays are featured regularly and prominently in the mainstream press (both magazines and newspapers) and on the New York Times bestseller books list. But the essay has a history, too, a long one, which goes back at least to the sixteenth-century French writer Montaigne, generally considered the progenitor of the form. It will be our task, and I hope our pleasure, to investigate the possibilities of the essay together this semester, both by reading and by writing.

This course seeks to provide a supportive context for students to grow significantly as writers by discovering and engaging with issues that matter to them. Writing on social and ethical issues, we can see ourselves within a tradition of authors such as Charles Dickens, Frederick Douglass, Elizabeth Cady Stanton, George Orwell, Rachel Carson, John F. Kennedy and Martin Luther King, Jr., who have used the power of the pen to inspire social change.

Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.

Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.

Table of Contents
Chapter 1. Introduction: Developing an approach to writing as material practice (Kathryn E. Piquette and Ruth D. Whitehouse)
Chapter 2. The Twisting Paths of Recall: Khipu (Andean cord notation) as artifact (Frank Salomon)
Chapter 3. Writing as Material Technology: Orientation within landscapes of the Classic Maya world (Sarah E. Jackson)
Chapter 4. Writing (and Reading) as Material Practice: The world of cuneiform culture as an arena for investigation (Roger Matthews)
Chapter 5. Re-writing the Script: Decoding the textual experience in the Bronze Age Levant (c.2000–1150 bc) (Rachael Thyrza Sparks)
Chapter 6. The Function and Meaning of Writing in the Prehistoric Aegean: Some reflections on the social and symbolic significance of writing from a material perspective (Helène Whittaker)
Chapter 7. Form Follows Function: Writing and its supports in the Aegean Bronze Age (Sarah Finlayson)
Chapter 8. Materiality of Minoan Writing: Modes of display and perception (Georgia Flouda)
Chapter 9. Saving on Clay: The Linear B practice of cutting tablets (Helena Tomas)
Chapter 10. Straight, Crooked and Joined-up Writing: An early Mediterranean view (Alan Johnston)
Chapter 11. “It Is Written”?: Making, remaking and unmaking early ‘writing' in the lower Nile Valley (Kathryn E. Piquette)
Chapter 12. Written Greek but Drawn Egyptian: Script changes in a bilingual dream papyrus (Stephen Kidd)
Chapter 13. The Other Writing: Iconic literacy and Situla Art in pre-Roman Veneto (Italy) (Elisa Perego)
Chapter 14. ‘Tombstones' in the North Italian Iron Age: Careless writers or athletic readers? (Ruth D. Whitehouse)
Chapter 15. Different Times, Different Materials and Different Purposes: Writing on objects at the Grand Arcade site in Cambridge (Craig Cessford)
Chapter 16. Writing Conservation: The impact of text on conservation decisions and practice (Elizabeth Pye)
Chapter 17. Epilogue (John Bennet)

This book has been a part of my pandemic journey with a goal of building English language learner resources, gathering up what I have learned about anti-racist, culturally responsive, and decolonization approaches. I know that I have not nearly met this goal in this single resource and that there is so much more to do. I am simply starting on the collective path and am so humbled to join fellow colleagues in the work of rewriting the myths and false narratives of our field. This goes well beyond one specific discipline. It is a call to all educators and all institutions to choose love in action, to choose change.

This OER text includes the following:

an introduction to creating a collectivist culture to support learning
models and activities about multiple ways of organizing ideas in an essay.
short readings and discussion highlighting the work of community organizers, activists, and social justice movements
writing prompts that ask learners to synthesize, reflect on, and connect to the topics
projects inviting learners to apply the content to their community environment
additional resources offering multiple modalities for further learning including videos, articles, and podcasts
a contrastive and multilingual approach to exploring grammar patterns to support writing

Table of Contents
Creating Our Classroom Culture
Getting Ready to Write
Chapter 1: Identity
Chapter 2: World Englishes
Chapter 3: Power and Poetry
Chapter 4 ¡Si, Se Puede!
Chapter 5: Food Deserts
Chapter 6: Protecting Mauna Kea
Chapter 7: Black Lives Matter

This book has been a part of my pandemic journey with a goal of building English language learner resources, gathering up what I have learned about anti-racist, culturally responsive, and decolonization approaches. I know that I have not nearly met this goal in this single resource and that there is so much more to do. I am simply starting on the collective path and am so humbled to join fellow colleagues in the work of rewriting the myths and false narratives of our field. This goes well beyond one specific discipline. It is a call to all educators and all institutions to choose love in action, to choose change.

Scott McLean’s Writing for Success is a text that provides instruction in steps, builds writing, reading, and critical thinking, and combines comprehensive grammar review with an introduction to paragraph writing and composition.

Beginning with the sentence and its essential elements, this book addresses each concept with clear, concise and effective examples that are immediately reinforced with exercises and opportunities to demonstrate, and reinforce, learning.

Each chapter allows your students to demonstrate mastery of the principles of quality writing. With its incremental approach, it can address a range of writing levels and abilities, helping each student in your course prepare for their next writing or university course. Constant reinforcement is provided through examples and exercises, and the text involves students in the learning process through reading, problem-solving, practicing, listening, and experiencing the writing process.

Web/HTML version available here: https://saylordotorg.github.io/text_writing-for-success/

Writing for Success is a text that provides instruction in steps, builds writing, reading, and critical thinking, and combines comprehensive grammar review with an introduction to paragraph writing and composition.

Table of Contents
Chapter 1: Introduction to Writing
Chapter 2: Writing Basics: What Makes a Good Sentence?
Chapter 3: Punctuation
Chapter 4: Working with Words: Which Word Is Right?
Chapter 5: Help for English Language Learners
Chapter 6: Writing Paragraphs: Separating Ideas and Shaping Content
Chapter 7: Refining Your Writing: How Do I Improve My Writing Technique?
Chapter 8: The Writing Process: How Do I Begin?
Chapter 9: Writing Essays: From Start to Finish
Chapter 10: Rhetorical Modes
Chapter 11: Writing from Research: What Will I Learn?
Chapter 12: Writing a Research Paper
Chapter 13: APA and MLA Documentation and Formatting
Chapter 14: Creating Presentations: Sharing Your Ideas
Chapter 15: Readings: Examples of Essays