Investigates conceptual and formal issues in different media or between media such as sculpture, photography, and video. Explores issues of representation, interpretation, and meaning, and how they relate to historical, social and cultural context.

This interdisciplinary course surveys modern European culture to disclose the alignment of literature, opposition, and revolution. Reaching back to the foundational representations of anarchism in nineteenth-century Europe (Kleist, Conrad) the curriculum extends through the literary and media representations of militant organizations in the 1970s and 80s (Italy's Red Brigade, Germany's Red Army Faction, and the Real Irish Republican Army). In the middle of the term students will have the opportunity to hear a lecture by Margarethe von Trotta, one of the most important filmmakers who has worked on terrorism. The course concludes with a critical examination of the ways that certain segments of European popular media have returned to the "radical chic" that many perceive to have exhausted itself more than two decades ago.

American Government is designed to meet the scope and sequence requirements of the single-semester American government course. This title includes innovative features designed to enhance student learning, including Insider Perspective features and a Get Connected Module that shows students how they can get engaged in the political process. The book provides an important opportunity for students to learn the core concepts of American government and understand how those concepts apply to their lives and the world around them. American Government includes updated information on the 2016 presidential election.Senior Contributing AuthorsGlen Krutz (Content Lead), University of OklahomaSylvie Waskiewicz, PhD (Lead Editor)

Interdisciplinary survey of people of African descent that draws on the overlapping approaches of history, literature, anthropology, legal studies, media studies, performance, linguistics, and creative writing. This course connects the experiences of African-Americans and of other American minorities, focusing on social, political, and cultural histories, and on linguistic patterns.

In this course, the student will learn about the complexities of the legislative branch by examining the U.S. Congress in the American political system. This course will focus first on the history of Congress and the tension between Congress' competing representation and lawmaking functions by examining the structure of Congress, its original purpose, and the factors that influence how members of Congress act. The course will then take a careful look at the internal politics and law-making processes of Congress by learning the external competing interests that shape legislative outcomes and why Congressional rules are designed as they are. Upon successful completion of this course, the student will be able to: explain how Congress was structured by the Framers of the Constitution; discuss how Congress is shaped by the U.S. Constitution; demonstrate an understanding of the importance of bicameralism in a representative body; compare and contrast features of the House and the Senate; explain the evolution of Congress as a modern institution; explain how congressional candidates run for office; discuss the importance of political parties in the recruitment of congressional candidates; identify the advantages and disadvantages of incumbency; define reapportionment and redistricting; assess the role of money and fundraising in congressional elections; compare and contrast how members of Congress fulfill their duties in their home districts and in Washington D.C; compare and contrast the leadership systems used in the House and Senate; describe the roles and functions of legislative leaders and political parties in Congress; name and describe the various types of congressional committees; explain why the committee system is central to an understanding of the legislative process; describe the major steps in a bill becoming a law; evaluate the influence of constituents, colleagues, political parties, and interest groups on congressional decision-making; assess the relationship between Congress and the president and its many permutations over time; analyze the pros and cons of united and divided government; explain the influence of the presidency on congressional elections; discuss the role of congressional oversight as it relates to both the presidency and the bureaucracy; identify the role played by Congress as it relates to the judicial branch; analyze the complicated relationship that exists between members of Congress and the media; analyze the role and performance of Congress in the budgetary process, economic policy, and foreign policy; explain the complications that arise as a result of shared foreign policy powers between Congress and the president; discuss how congressional policymaking has responded to post-9/11 governance; discuss the criticism of Congress, and assess the methods put forth to reform the institution. (Political Science 331)

This course examines cultural performances of Asia, including both traditional and contemporary forms, in a variety of genres. Students will explore the communicative power of performances with attention to the ways performers, media, cultural settings, and audiences interact. The representation of cultural difference is considered and how it is altered through processes of globalization. Performances are viewed live when possible, but the course also relies on video, audio, and online materials as necessary.

Major narrative texts from diverse Western cultures, beginning with Homer and concluding with at least one film. Emphasis on literary and cultural issues: on the artistic significance of the chosen texts and on their identity as anthropological artifacts whose conventions and assumptions are rooted in particular times, places, and technologies. Syllabus varies, but always includes a sampling of popular culture (folk tales, ballads) as well as some landmark narratives such as the Iliad or the Odyssey, Don Quixote, Anna Karenina, Ulysses, and a classic film. This class will investigate the ways in which the formal aspects of Western storytelling in various media have shaped both fantasies and perceptions, making certain understandings of experience possible through the selection, arrangement, and processing of narrative material. Surveying the field chronologically across the major narrative genres and sub-genres from Homeric epic through the novel and across media to include live performance, film, and video games, we will be examining the ways in which new ideologies and psychological insights become available through the development of various narrative techniques and new technologies. Emphasis will be placed on the generic conventions of story-telling as well as on literary and cultural issues, the role of media and modes of transmission, the artistic significance of the chosen texts and their identity as anthropological artifacts whose conventions and assumptions are rooted in particular times, places, and technologies. Authors will include: Homer, Sophocles, Herodotus, Christian evangelists, Marie de France, Cervantes, La Clos, Poe, Lang, Cocteau, Disney-Pixar, and Maxis-Electronic Arts, with theoretical readings in Propp, Bakhtin, Girard, Freud, and Marx.

This e-book is designed to accompany your studies for COMM505 Visual Media Production. It is an open resource, which means that it has been created for your use at no cost. This course is designed as an introduction to the process of producing visual media.

Table of Contents:

I. Best Practice
Introduction – About visual media production
The Production Process
Cognitive Overload
The Basics of Copyright, Fair Use, and Creative Commons
Project Organization

II. Client Relations
About Client Relations
Client Relations - "On Hold" versus "Booked"
Client Relations - The Art of the Estimate
Client Relations - Who is in Charge?
Client Relations - Managing revision requests
Client Relations - Defending the Creative
Client Relations - Abuse, exploitation, and graft
Client Relations - You just screwed up!
Client Relations - Working within the budget
Client Relations - Who owns the project?
Client Relations - Stiffed! About not getting paid

The topic for Fall 2006 is short film and radio plays. This course investigates current trends and topics in German literary, theater, film, television, radio, and other media arts productions. Students analyze media texts in the context of their production, reception, and distribution as well as the public debates initiated by these works. The topic for Fall 2006 is German Short Film, a popular format that represents most recent trends in film production, and German Radio Art, a striving genre that includes experimental radio plays, sound art, and audio installations. Special attention will be given to the representation of German minorities, contrasted by their own artistic expressions reflecting changes in identity and a new political voice. Students have the opportunity to discuss course topics with a writer, filmmaker, and/or media artist from Germany. The course is taught in German.

This course examines systematically, and comparatively, great and middle power military interventions, and candidate military interventions, into civil wars from the 1990s to the present. These civil wars did not easily fit into the traditional category of vital interest. These interventions may therefore tell us something about broad trends in international politics including the nature of unipolarity, the erosion of sovereignty, the security implications of globalization, and the nature of modern western military power.

The goal of this course is to review grammar and develop vocabulary building strategies to refine oral and written expression. Speaking and writing assignments are designed to expand communicative competence. Assignments are based on models and materials drawn from contemporary media (newspapers and magazines, television, web). The models, materials, topics and assignments vary from semester to semester.

Comparative politics is the systematic study and comparison of the world's political systems. The course begins by discussing the factors and categories of analysis that political scientists and important international institutions like the World Bank, NATO, and the United Nations use regularly; it ends by comparing and contrasting governments from five different regions of the world: the Americas, Europe, Africa, Asia, and the Middle East. Upon successful completion of this course, students will be able to: Define the chief characteristics of a nation state; Identify and explain various comparative methodologies used to compare various political systems; Distinguish between unitary, federal, and confederal governmental models; Compare and contrast political cultures in selected countries; Compare and contrast political socialization in selected countries; Describe and explain patterns of representation and participation in selected countries; Compare and contrast the roles and functions of political parties in selected countries; Compare and contrast the role of interest groups in selected countries; Identify and explain governance and policy-making in selected countries; Compare and contrast the role of the executive in selected countries; Compare and contrast the role of the judicial branch in selected countries; Compare and contrast the role of the bureaucracy and the policy process in selected countries; Describe and explain the political economy and development in selected countries; Identify and explain political challenges and changing agendas in selected countries. (Political Science 221)

Introduction to Sociology 2e adheres to the scope and sequence of a typical, one-semester introductory sociology course. It offers comprehensive coverage of core concepts, foundational scholars, and emerging theories, which are supported by a wealth of engaging learning materials. The textbook presents detailed section reviews with rich questions, discussions that help students apply their knowledge, and features that draw learners into the discipline in meaningful ways. The second edition retains the book’s conceptual organization, aligning to most courses, and has been significantly updated to reflect the latest research and provide examples most relevant to today’s students. In order to help instructors transition to the revised version, the 2e changes are described within the preface.

Describe the evolution and current role of different media, like newspapers, television, and new media
Understand the function of product advertising in media
Demonstrate awareness of the social homogenization and social fragmentation that occur via modern society’s use of technology and media

This syllabus is for Intro to Human Communication by Douglas Marshall, Ph.D. at Southern University at New Orleans, which is the CCOM 1013 on the statewide common course matrix.

This section examines how reality and fantasy are understood and constructed by, across, and in the Americas. Materials drawn from across the curriculum (e.g., from history, psychology, media, and communication studies) are used to question definitions of reality, fact, truth, fiction, fantasy, magical realism, myth, virtual space, reality-TV, and corporeality. Students gain the ability to defend their positions about how categories such as reality and fantasy differ and overlap.

Focusing on the emperors Augustus and Nero, this course investigates the ways in which Roman emperors used art, architecture, coinage and other media to create and project an image of themselves, the ways in which the surviving literary sources from the Roman period reinforced or subverted that image, and the ways in which both phenomena have contributed to post-classical perceptions of Roman emperors. Material studied will include the art, architecture, and coinage of Augustan and Neronian Rome, the works of Suetonius and Tacitus, and modern representations of the emperors such as those found in I, Claudius and Quo Vadis.